Most important events in the history of Los Angeles Essay

Most important events in the history of Los Angeles - Essay Example The main objective of the report is to be able to present certain events in the history of the city of Los Angeles to achieve the present condition of economy and social status that it has now. One of the important events in the history of Los Angeles is the discovery of oil credited to Edward L. Doheny in 1892. Although prior to the said event there are indications of the knowledge of the people and settlers regarding the said deposit, Doheny is responsible for making the deposit known. The said event initialized the economic growth of the city when a large number of oil companies decided to invest and settle in the city limits if Los Angeles (La Botz 41). The importance of the said even lies on the significance of oil in the economy of the city. From the onset of the oil industry in Los Angeles, a number of other industries started to develop and helped the state of economy of the city. Another even that can be considered important in the history of the city of Los Angeles is the establishment of the Pacific Electric Railway. Through the said mode of transportation, the economic transactions and works of people are accomplished in a shorter period of time. In addition, being one of the basic necessities for traveling, the said form of public transportation aid the socio-economic state to improve. The Pacific Electric Railway covers the Southern California area in the 1920’s, connecting Los Angeles and Orange Counties (Henstell 13). Another event that can be considered to improve the economy of the city of Los Angeles is the establishment of the harbor in 1907-1909. The said even ushered the rise of related industries such as fishing, canneries, oil drilling and shipbuilding. These industries resulted in the improvement of commerce in the city specifically due to the fact that harbors are major sites of trading activities. The increasing number of related industries can also be considered in the increase in the

Rural Poverty Alleviation Essay Example | Topics and Well Written Essays - 1000 words

Rural Poverty Alleviation - Essay Example In a large and diverse country like India, it is not surprising to experience the kind of hardships and obstacles that appear to hinder every attempt at large scale alleviation of poverty in general and rural poverty in particular. India is a vast democracy of myriad tradition and culture. She is also multi-lingual and in the grip of traditional customs and religious beliefs. Influential politicians, religious leaders, film stars and iconic sportsmen don the mantle of role models and guides. The television perfectly and effectively keeps everyone pre-occupied with live performances and programs, leaving the common man and woman, boy and girl with little time for serious issues of life and responsibilities. Lest I am branded as pessimist, let me hasten to add that India has achieved the targets of rural poverty alleviation to an appreciable extent in the six decades after independence. By and large, there is more prosperity in villages now than before. Government schemes like Jawahar Rojgar Yojana, Drought Prone Area Programs (DPAP), Panchayati Raj, land reforms, etc. have been designed with the common man in the rural backyard in mind. The rural folk enjoy a better transport and communication system, they are politically, economically and academically more aware, and successive five-year plans, especially from the sixth five-year plan onwards, have bestowed more privileges and benefits on them. (8th Five Year Plan) Statistics of the National... Government schemes like Jawahar Rojgar Yojana, Drought Prone Area Programs (DPAP), Panchayati Raj, land reforms, etc. have been designed with the common man in the rural backyard in mind. The rural folk enjoy a better transport and communication system, they are politically, economically and academically more aware, and successive five-year plans, especially from the sixth five-year plan onwards, have bestowed more privileges and benefits on them. (8th Five Year Plan) Conversely, however, the sheen in these progressive schemes and undertakings lost their shine with corruption at every level, powerful hold by vested interests, political compulsions and exploitation. Statistics of the National Rural Employment Program and Rural Landless Employment Guarantee Program (RLEGP), showing the extent of finance involved in rural employment programs in the Seventh Five Year Plan, are reproduced below: Performance of NREP in the Seventh Five Year Plan Year Resource availability (Rs. crores) Expenditure: (Rs. crores) Employment Generation (in million mandays) Manday Cost(Rs.) Wage-Non- Wage Ratio 1985-86 593.08 531.95 316.41 16.81 60:40 1986-87 765.13 717.77 395.39 18.15 60-40 1987-88 888.21 788.31 370.77 21.26 59:41 1988-89 845.68 901.84 394.96 22.83 57:43 Performance of RLEGP in the Seventh Plan Year Resource availability (Rs. crores) Expenditure (Rs. crores) Employment Generation (in million mandays) Manday Cost (Rs.) Wage/Non- Wage Ratio 1985-86 580.35 453.17 2.47.58 18.30 57:43 1986-87 649.96 635.91 306.14 20.77 57:43 1987-88 648.41 653.53 304.11 21.49 58:42 1988-89 761.55 669.37 296.56 22.57 58:42 (Source: 8th Five Year Plan) Disillusionment with Rural Life Mass migration of people from hinterland and rural areas into cities and, to a lesser extent, towns and

Internal vs. External Validity in Research Coursework

Internal vs. External Validity in Research - Coursework Example There is often a tradeoff between internal and external validity, due to the fact that that the requirements of a high internal validity is the creation of a controlled and artificial setting for the research, which then limits the application of the results to the natural and real-life situations (Mitchell & Jolley, 2001). The attainment of a high internal validity of a research requires that the participants in the research are shielded from the extraneous factors that may change the relationship between the dependent and the independent variables. On the other hand, the extraneous factors are fully operational in the real-life situations, limiting the application of the findings of a research done in a setting where the extraneous factors were blocked. Therefore, there must b a trade-off between the internal validity and the external validity, such that internal validity is only high where external validity is low and vice versa (Isaac & Michael, 1971). 2. Is there a benefit in achieving a high level of one type of validity (internal versus external) over the other? Is there a way to design a study or series of studies to have high internal as well as high external validity? What would be the benefit? There is a benefit of achieving a high level of one type of validity over the other, based on the nature of the research in question. The level of internal validity achieved in the study is low, while the level of external validity attained in the study is high.

Describing three examples of activities in health care organizations Assignment

Describing three examples of activities in health care organizations - Assignment Example The immunization activities entail giving children BCG, DPT, polio, and measles immunization (Stahl, 2004). There is also epidemic preparedness and response to epidemics which is crucial to the health care organization employees because they have to start isolation of the people with the epidemic. When there is an epidemic outbreak for example the Ebola outbreak, people-centered management should be applied to give employees chances to suggest on the way forward on whether to isolate the infected people or whether to let them live with the other people. When giving an employee a chance to give a solution, it opens up their minds and makes them think. Supervisors and managers should award employees that show bravery during a difficult time of responding to an outbreak, for example an employee who saves a patient’s life. The reward will be a motivation to the individual and to the other employees who will work hard and be fully dedicated to their work. Fully participation of the employees can also earn their organization world awards. Communication between the supervisors and the employees is important for the growth of a health care organization. Where there is communication, people understand each other’s needs. When an employee’s opinion is taken into consideration, such an employee is motivated to keep on being committed to their work because they feel appreciated and respected. Moreover, meetings help employees to pass their complains and the supervisors and managers’ compliment and critic on the employees work (Carroll, 2001). The managers and supervisors encourage the employees on teamwork. In epidemic preparedness, the employees in different departments should be able to know where their teammates are, to make the daily routine surveillance for the epidemic easier. Furthermore, this aids the teammates to avoid losing a colleague to the outbreak without the knowledge of

Modelo Essay Example | Topics and Well Written Essays - 500 words

Modelo - Essay Example Modelo’s expansion strategy was made possible through its strategic alliance with its two main distributors; Bartisor and grambrinus, experienced, creative and knowledgeable subsidiaries with knowledge about local customers in the US market. This strategy ensured that the risk of increase in taxes is hedged. These distributors were delegated with all the value chain processes of the activities except production which was being carried out the parent firm, Group Modelo back in Mexico. They had autonomous control on decisions regarding the marketing, insurance, transportation and creatively marketing captains, from which a campaign that leapfrogged the Grupo Modelo’s sales emanated from in 1986. As pointed out in the report, wine is more competitive in Italy and Ireland unlike beer. Therefore, it will have an opportunity to attempt to enter these foreign markets by both mergers and acquisition from the local importers and distributors. They ca also adopt other strategic alliances with highly expertise- mature companies in this countries. It can be pointed out that, for the company to stand tall, it needs, a sharper differentiation, identifying and focusing on the key marketing that region and developing a creative Marketing development as a strategy

Allegorical on the Bell Jar Essay Example for Free

Allegorical on the Bell Jar Essay Just as all roads lead back to home, the protagonist exhibits that everyone will eventually become manifestations of the society it is born within. In this excerpt, the author uses the strong allegory of the protagonist plummeting down the slopes and skiing towards the inevitable end of conforming towards mankind and society. Although the protagonist’s gender isn’t explicit, we can assume that it’s a girl due to its unambiguous sub theme of feminine repression. The author presents the protagonists struggle in two distinct parts: the struggle to conform and the inevitable realization and acceptance of her fate. The author is able to do skilfully do so with a myriad of literary devices and extremely significant allegories. In the beginning, the protagonist is still struggling against the implications of society and is unwilling to accept her fate. The monotony of her â€Å"pale† life is emphasized by the repetition alliteration of â€Å"hill after†¦hill† and â€Å"great grey eye†. This shows the boring reoccurrence in the protagonist’s life and is constantly being overshadowed and judged by the watchful eye of society. Additionally, the protagonist is having an internal battle with doing what she innately feels is right against becoming what she knows everyone else wants her to transform into. Therefore, she has an â€Å"interior voice† that is persistently â€Å"nagging† her â€Å"not to be a fool† and conform and lose herself and â€Å"save [her] skin†. Obviously, she has fought hard to persist as her authentic self and is bitter about giving up who she really is. She feels like she has lost her sense of self and is no longer an individual, but merely â€Å"camouflaged† amongst everyone else as a product of society. The long sentence structure in the second paragraph of the excerpt displays that there was a very long and meticulous thought process about her present situation. She is â€Å"bordering† on the edge of a life changing decision. She has to decide – should she â€Å"kill [her true] self†, or should she resist the temptations of society? She is representing man’s struggle against oneself – the hardest battle to. However, she finally overcomes her inner battles and comes to realize that it is in her best interest to abide to society’s expectations. Henceforth, she tries to â€Å"measure the distance† and calculate how much of herself she will have to lose in the process. Buddy is a representation of society and the word is also slang for friend. â€Å"His†¦folded† â€Å"arms† signifying his lack of approval and his natural masculine instinct to repress femininity. As a result, we can understand the extent upon which female repression has been engrained into society and social stigma. Such is the product of a society filled with conformists and a lack of individuality – â€Å"numb, brown†¦ inconsequential† and boring beings. The next paragraph accentuates her defeatist attitude as the excerpt inches to the climax of the plot and has resolved to finally conform to the ‘American dream’ and fit into the mould society cast for her. Inevitably, she â€Å"aim[s] straight down† as she realizes that despite her best efforts at resistance, it is all to no avail. Once again, the short sentence structure is the implicit sign of the distinct change of internal character into one that has finally decided to join and become a part of society. Subsequent to the protagonist’s â€Å"descen[t]† into society, she â€Å"plummet[s]† herself straight into the heart of the situation. Nevertheless, even though she has physically committed herself he is still mentally â€Å"suspended† and trapped between what she wants and who she is. As a result, she represses those thoughts from â€Å"r[ising] higher†. This is the pivotal point upon which she consigns herself to follow society’s expectations because she understands that without social rules and stigma, â€Å"the world would not exist† and be able to function properly. Her â€Å"answering point in†¦[her] body† instinctually gravitates â€Å"towards† following social norms because despite the struggle against it, everyone will eventually cave to the expectations of others. She has become â€Å"inflate[d]† by the â€Å"inrush† of the external pressures of being part of a society . She realizes that she is finally experiencing the typical emotions, even though she feels removed from the â€Å"smiles† and â€Å"what it is [supposed to feel like] to be happy†. In spite of that, she feels â€Å"doubleness† as if it is not really herself going through the motions – she doesn’t feel true to herself and who she really is but simply sees a reflection of her figure that she can no longer recognise. On her way â€Å"hurtling† down, she has flashes of her â€Å"own past† that â€Å"recede[s]† and she has to make a decision between the light of the â€Å"white sun† and the darkness of an endless â€Å"dark tunnel†. Ultimately, she focuses on the â€Å"bright point at the end† of the tunnel and becomes a small â€Å"pebble† in the â€Å"bottom of [a big] well†, which is an analogy to her small and insignificant self in a world filled with billions of people. Her metamorphosis is paralleled to that of a rebirth into her new life. She has chosen the light and she is being christened into her new life as an innocent â€Å"sweet baby† that is being reborn again from â€Å"it’s mother’s belly†. All throughout this process â€Å"Buddy† and the â€Å"other faces† of society watchfully gaze and â€Å"h[a]ng over† her to ensure complete control. Gradually, she is transformed by the â€Å"strokes of [a] grandmother’s wand† creating a fairytale element to her change. The â€Å"familiar voice† of her conscience reminds her that she was doing â€Å"fine† by herself until â€Å"man[kind] stepped into her path† and created the platonic change within her. Society has already taken it upon themselves to â€Å"unfasten [her] bindings† of her previous ‘life’ and releasing her of her previous sins of not conforming. The â€Å"lodge fence† that blocks her way is a symbol of the white picket fence, which is a representation of the American Dream. She is finally being trapped into society’s expectations of what she should become. Yet she is still treated as an outsider and isn’t trusted and treated like an enemy with a â€Å"concealed weapon†. In the end, the light triumphs the dark and society overcomes her. The rising of the white sun shining in the sky displays her birth and final decision to conform to society. Even though she tries to challenge and return to her old self, she is unable to escape. Not only is she restricted by society itself but herself as well. She is â€Å"stuck† as society now has full reign over her. Thus, society and lack of freedom prevail and it’s triumph is evident in the â€Å"final smile†. In conclusion, the excerpt uses skiing as an allegory for mankind’s eventual and inevitable decline into conformity towards the American dream. There is no place in society for people who do not follow social rules and expectations. The protagonist is assumed to be a woman due to the stigma of females repressed role in society. She begins with the struggle between light and dark and the battle between being true to oneself and taking the easier path and following the well-worn road that society has taken. Later on, she understands and realizes that it is inevitable and ultimately conforms. Not matter how hard we may try to contend society, it will always prevail and have the power to manipulate us.

Portrayal Of Lucy Westenra And Mina Murray English Literature Essay

Portrayal Of Lucy Westenra And Mina Murray English Literature Essay Dracula, the 1897 novel by Bram Stoker, is a tale composed against a background of social concerns and anxieties of Victorian England in a rapidly changing world. One of the most important upheavals in this time of turmoil concerned feminism and the role of women in Victorian society, with the terrifying spectre of the  ¿Ã‚ ½New Woman ¿Ã‚ ½ solidifying rapidly into a real threat. In Victorian England, gender roles were distinct, with women being expected to confine themselves to the domestic realm and become  ¿Ã‚ ½the Angel in the House, ¿Ã‚ ½ responsible for setting a moral example for her children and being of complete service to her husband. In examining how the female characters  ¿Ã‚ ½ Lucy Westenra and Mina Murray/Harker  ¿Ã‚ ½ are dealt with in Dracula, a greater insight will be gained into the degree of transformation undertaken by the women from a Victorian woman to a New Woman in the face of Dracula ¿Ã‚ ½s seductive power. Lucy Westenra is initially depicted as innocent, beautiful, and virtuous ¿Ã‚ ½not at all the sexual suspect or foreigner that would seem to indicate a susceptibility to vampirism. Despite this appearance of her character, however, the behaviour of Lucy, even before she succumbed to vampirism, would have been questionable to a Victorian audience. Most notably, she takes a sort of gloating pleasure in having been proposed to three times in one day (Stoker 86). Even more disturbing to a Victorian reader, Lucy muses,  ¿Ã‚ ½Why can ¿Ã‚ ½t they let a girl marry three men, or as many as want her ¿Ã‚ ½? ¿Ã‚ ½ (Stoker 90). Although she immediately dismisses the idea as blasphemy, the reader gets the sense that she was serious. This reluctance to confine herself to one man is not her only sign of questionable sexuality. Lucy sleepwalks,  ¿Ã‚ ½a habit traditionally associated with sexual looseness ¿Ã‚ ½ in Victorian England (Spencer 210). Despite Lucy ¿Ã‚ ½s seeming virtue, there are indications that her sexuality is on the verge of asserting its appetites throughout the early portions of the novel. This blooming sexuality is what makes her susceptible to vampiric attack. As Lucy succumbs to Dracula ¿Ã‚ ½s advances, she comes to resemble the vampire women encountered by Harker. Her sexuality becomes more blatant as her vampirism progresses. When she is dying, she speaks to Arthur in a  ¿Ã‚ ½soft, voluptuous voice, ¿Ã‚ ½ a phrase which recalls the voluptuousness of the three female vampires in Castle Dracula (Stoker 237). Her initiation into the vampire group becomes complete when Van Helsing notes that the two bite marks on her neck have completely disappeared (Stoker 235). Later, Stoker describes vampiric Lucy as moving with a  ¿Ã‚ ½voluptuous grace ¿Ã‚ ½ and having a  ¿Ã‚ ½wanton smile ¿Ã‚ ½ (Stoker 310). She has become the aggressive female through contact with Dracula. Lucy is now fully endowed with masculine appetites and, like the fanged women Harker encountered, she is acting as a dominant presence over males. She has become monstrous and unnatural, which is in keeping with the Victorian idea of  ¿Ã‚ ½the sexualization of woman as deformation ¿Ã‚ ½ (Craft 120). This unnaturalness is also emphatically underscored by her rejection of the mother role typically associated with women during this time period. Instead of nursing the child  ¿Ã‚ ½clutched strenuously to her breast, ¿Ã‚ ½ she feeds from it, slowly killing it (Stoker 310). Dracula is to blame for Lucy ¿Ã‚ ½s metamorphosis into a monstrosity,  ¿Ã‚ ½for he is the ultimate social adulterer, whose purpose is nothing if it is not to turn good Englishwomen like Lucyaway from their own kind and customs ¿Ã‚ ½ (Stevenson 140). However horrifying Lucy ¿Ã‚ ½s transformation might have been to a Victorian audience, Mina Harker ¿Ã‚ ½s aborted metamorphosis would have been even more horrible. As Van Helsing says,  ¿Ã‚ ½she is one of God ¿Ã‚ ½s women, fashioned by His own hand ¿Ã‚ ½ (Stoker 277). Mina seems to fit the ideal of the Victorian Woman, as a virtuous, devout, almost asexual individual. While she sometimes acts as the quiet organiser of the men, she is generally meek and servile to their wishes, for example, she learns typing and short-hand with the main motive of being of use to her future husband Jonathan. Stoker never reveals anything detailed about Mina ¿Ã‚ ½s physical appearance, and she seems to be an object of adulation rather than desire. Mina acts as more of a mother figure to Jonathan,  ¿Ã‚ ½nursing him through his illness. ¿Ã‚ ½ The motherly-wife and nurtured husband were considered the ideal spouses in Victorian England (Spencer 216). Mina is quite literally the Angel in the House, or the ideal Woman embodied. Yet even the ideal demonstrates vulnerability when forced into an overtly sexual situation. Mina, through no fault of her own, becomes subject to Dracula ¿Ã‚ ½s advances, yet seems to take some enjoyment in them despite her horror. During her last encounter with the Count, as he drank from her neck, she admitted that she  ¿Ã‚ ½did not want to hinder him ¿Ã‚ ½ (Stoker 425). This desire for the Count would have been damnable to a Victorian audience, who saw sexual desire rather than sexual activity [as] ¿Ã‚ ½the true source of danger ¿Ã‚ ½ (Spencer 217). Although Mina never makes the full transformation into the aggressive, sexualized female vampire, there are aspects of her character that bend gender expectations a bit. Specifically, Dr. Van Helsing remarks upon her level of intelligence numerous times as being abnormal for a young woman. When Mina tells Van Helsing that she can inform him all about what happened to Lucy, he remarks,  ¿Ã‚ ½Ah, then you have a good memory for facts, for details? It is not always so with young ladies ¿Ã‚ ½ (Stoker 269). He also repeatedly calls her,  ¿Ã‚ ½you so clever woman ¿Ã‚ ½ (Stoker 269). If a learned man such as Van Helsing compliments Mina ¿Ã‚ ½s intelligence, then it might be safe to assume that men did not expected to encounter a woman with such common sense during the Victorian era. As Van Helsing puts it,  ¿Ã‚ ½[Mina] has a man ¿Ã‚ ½s brain ¿Ã‚ ½a brain that a man should have were he much gifted ¿Ã‚ ½ (Stoker 345). To a certain extent, Mina is becoming a modern woman by demonstrating her intelligence and therefore somewhat defying the gender stereotype of women being inferior to men. However, she doesn ¿Ã‚ ½t pose any really threat to the dominant male as she uses her intelligence to help others on a divine mission rather than furthering her own interests, a Victorian audience could perhaps accept this inversion of gender roles. Like Lucy, Mina become contaminated by Dracula and slowly becomes deracinated, growing more like a vampire and less like an Englishwoman. However, before her transformation is complete, Dracula is killed and Mina is re-assimilated into English society with little difficulty, providing a happy ending for the Victorian audience. Both Lucy and Mina are introduced in the novel as embodiments of the Victorian woman ideal, a role of purity and femininity. However, when the women begin to transform into vampires, they are seen to take on traditional male roles, which undoubtedly horrified the Victorian reader. However, neither of these two women are allowed any agency; even through their  ¿Ã‚ ½infidelities ¿Ã‚ ½, they play the passive role, Lucy asleep while blood is pumped from each man into her, and Mina ¿Ã‚ ½s seduction described in terms of  ¿Ã‚ ½forcing a kitten ¿Ã‚ ½s nose into a saucer of milk to compel it to drink ¿Ã‚ ½. It is Dracula, the monstrous, foreign creature that is blamed for the corruption of Lucy and Mina. The role of the Victorian man is clear here, as the vampire hunters act out what they feel is their duty  ¿Ã‚ ½ to rescue their women from the clutches of Dracula and vampirism and return them to holiness. They return their women to their rightful place and re-establish proper roles, by a violent  ¿Ã‚ ½staking ¿Ã‚ ½ Lucy. This metaphorical rape, repeated by Van Helsing with the three Transylvanian vampires,  ¿Ã‚ ½re-establishes normative models of both gender and history ¿Ã‚ ½, imposing male reason on female sexuality, with the women  ¿Ã‚ ½grat eful and passive toward their brave male deliverer ¿Ã‚ ½. In Carmilla, Joseph Sheridan Le Fanu takes the tradition male power role and gives it to the women, while Stoker, in Dracula, repossesses the female body for pleasure and exchange and puts the power back in the hands of men. In Carmilla we meet a woman who bears angelic features in her outward appearance only. At first, she seems to be the ideal companion for Laura fulfilling all Victorian claims. The homosocial bond between women served patriarchy to keep women whom they treated rather as objects than as individual beings with a will of their own out of the so-called male business. As the idea of the new woman with their social, political, and sexual freedom was feared in society, Carmilla is feared by Laura ¿Ã‚ ½s father as soon as he notices her dangerous potential. The role of the female vampire identifies and challenges gender roles of women in the Victorian age, as well as symbolise New Women. Carmilla, goes even further in its defiance of the male/female heterosexual norm by featuring a lesbian relationship between its two main characters, only made possibly through the vampirism and supernatural nature of the story. It is through Carmilla and Laura ¿Ã‚ ½s homosexual relationship that they are able to gain freedom from male dominance and a patriarchal society. Besides marriage, becoming a vampire is one of the only ways that female sexuality is licensed in the Victorian era. While Bram Stoker ¿Ã‚ ½s Dracula has laid the foundations for the horror genre of film and literature, it also provides some interesting social commentary about Victorian England. In particular, the female characters and their relationships to the issues of sexuality, gender roles, and nationality are very revealing about the anxieties of the times. In their full and partial transformation into vampires, Lucy and Mina lose their feminine passivity and innocence and are expected to become like the highly sexualised and immoral succubi trio. They go from being sweet and pure Victorian women (female victims) to being  ¿Ã‚ ½languorous[ly] voluptuous ¿Ã‚ ½ and  ¿Ã‚ ½carnal and unspiritual ¿Ã‚ ½ New Women (female vampires). This is precisely the perceived danger represented by the New Woman. However, because Mina is never fully transformed and manages to be restored to her role as a Victorian woman, it can be concluded that Lucy better represents the New Woman archetype as she completes the transition to vampire and in doing so gains sexual and social freedom from the constraints on women in Victorian society.