Sunday, February 17, 2019
Analysis of Works From Art from the Ashes edited by Langer Essay
Analysis of Works From Art from the Ashes edited by LangerHow can a person reach back into the past and withdraw the criminal events of sixty years ago? Read the works provided in Art from the Ashes, and wait wait for words to explode onto an emotionally offhand mind with enough force to awaken previously dormant argonas of superstars psychological capacity. One can then begin to understand. Lawrence L. Langers introduction provides keys to open doors of impossibility, to expand sympathy, and to venture into the dark corners of an individuals capabilities. He reminds us not to mistake true experiences for an alien gentleman of fantasy or to look for triumph of love over hate (Langer 4). The stories he has selected for this anthology gaze into the depths without flinching (Langer 5). They must also discover and accept the twisted features of the unfamiliar with(predicate) without searching for words, like suffering (Langer 6). His main principals of selection, however, inc lude artistic quality, cerebral rigor, and physical integrity of the texts. The works chosen by Langer must be academically appealing but still be able to dislodge responses on the deepest levels of psychological, mental, emotional, and aesthetic concerns (Langer 8). The following stories represent the approaches and difficulties put forward by Langer The Key Game by Ida Fink, Spring Morning also by Ida Fink, and Poem About a Herring by Abraham Sutzkever. In these works, characters hungriness to exist fully are placed in critical situations where they are always faced with the constant anticipation of death. The striking mulctness of clipping is an always present force facing the characters. Ida Finks short story, The Key Game, begi... ...e taking place somewhere else in the dark depths of somebodys imagination. Unfortunately, it must be taken in literal, not metaphorical, wrong that the child had a bloody herring in his mouth (Langer 5, 581). Secondly, it gazes into the depths without flinching (Langer 7). Sutzkever, to the topper of his ability shows the truth of the situation. His provides images of child dying of fatal gunshots when most would act to avoid that image. Reading these works without the help of Langers introduction would be enlightening, but his statements should be considered and remembered during the venture into disorientation of mind and soul. Since the writers of these works were festal enough to release their experiences using an art, the reader should be brave enough to briefly imagine their experiences without transforming them into a type of fiction.