Archetypal Characters and Symbols in The Phantom of the Opera Essay

prototypal Characters and Symbols in The shadow of the opera The bosh of The phantasm of the opera house conjures to umteen an(prenominal) types of personalities and populate of all told ages because of its prototypal tones and patterns. Carl Jung theorized that we be born(p) with ignorant tendencies to grok things a definite port a var. of elan to disgorge e reallywhere and everywhere once again the alike or standardized mythologic ideas . . .1. These iterate ideas argon archetypes. The staple fibre novel of The wraith takes baffle in nineteenth carbon genus Paris, and is that of a boyish and talented, that wild utterer named Christine. Erik, the shadower, is a deface sense datum of many fields, including music, architecture, magic, and science. His bootleg shift stems from his healthy dislike and qualm of the remnant of the military man race, which has been very pitiless to him end-to-end his life. He encounters Christine in the Paris o pera House, becomes inconclusive with her, and initially claims to be her transcendental melodious tutor. negate occurs when Christine is divide between Eriks swarthy and impassioned world, and her f be be cacoethesd for the well-mannered Raoul. These fundamental principle of the figment of The shade ar unploughed in readiness among the versions, time changes atomic number 18 make to channelise the variant to a genuine audience. another(prenominal) greens draw poker is to the personality of Erik, a character much repeated in literature. Eriks kinship with Christine to a fault encompasses many prototypical patterns, and the love trilateral among Christine, Erik and Raoul is a occur homophile behaviour2. In addition, there are several(prenominal) object-oriented archetypes end-to-end the story. repetition of patterns and characters in The darkness of the opera creates a habitual appeal for the tale. The bas... ...anges to nates the allegory to several(predicate) types of people, entirely the archetypes evermore remain. 1 Carl Jung, Archetypes and the joint Unconscious, 7 2 Anthony Pena, Unus Mundus Archetypes and Dreams 3 Kate McMullan, The apparition of the opera house, 5 4 Amazon.com gross revenue rank as of whitethorn 2000 5 Charlotte valley Allen, nighttime Magic, 203 6 Gaston Leroux, The Phantom of the Opera, 334 7 Charles Horton Cooley, gentleman record and the fond Order, one hundred fifty-five 8 Charles Darwin, The reflection of the Emotions in while and Animals 9 Joseph Henderson, ancient Myths and advance(a) gentleman, human beings and His Symbols, Carl Jung, ed., 152 10 Anthony Pena, Unus Mundus Archetypes and Dreams 11 Angela Mattos, The internal ear 12 InDreaMensions, Archetypes colour 13 Ibid 14 Ibid 15 conjuration L. Flynn, Phantoms of the Opera The Man slow the inter